C.V. and Biography

Born: Macclesfield, England, 1968

Education

Mid-Cheshire College of FE, 1986–87
Kingston Polytechnic, BA (Hons) Fine Art Sculpture,1987–90

Selected solo exhibitions
Singles Bar, Galerie Berlin Tokyo, Berlin, Germany, 1996
Singles Club, The Metro London, England, 1997
Single and Browsing, Rastatte Gallery, Aachen, Germany, 1997
Excited by Gramophones, exhibition, live performance and residency, De Fabriek, Eindhoven, Netherlands, 1998
The History of Recorded Sound as We Know It, Intoxica Gallery, London, England, 2005
On the Edge of Wrong (Rankle & Reynolds), Fondazione Stelline, Milan, Italy, 2010
On the Edge of Wrong (Rankle & Reynolds), First Gallery, Rome, Italy, 2010
Federico Rui Arte Contemporeana, (Rankle & Reynolds), Milan, Italy, March 2011
Gallery B15, Copenhagen, Denmark, May 2011
Mya Lurgo, (Rankle & Reynolds), Lugano, Switzerland, October 2011

Selected group exhibitions
Sonic Boom, Hayward Gallery, London, England, 2000
Groove, Huddersfield Art Gallery, England, 2003
Curious and Curiouser, Galleri Rebecca Kormind, Copenhagen, Denmark, 2008
Directions, Gallery B15, Copenhagen, Denmark, March 2011

Selected live events

Music in the Anchorage, Brooklyn Bridge, New York, USA, 1997
John Peel’s Meltdown 98, Queen Elizabeth Hall, London, England, 1998
Excited by Gramophones, ISEA Festival, Liverpool, 1998
Sensations, Hamburger Bahnhof, Berlin, Germany, 1999
Sonic Boom Live, South Bank Centre, London, England, 2000
Fakes and Forgeries, Victoria & Albert Museum, London, England, 2000
Gramophone De Luxe, National Centre for Popular Music, Sheffield, England, 2001
Re-Stylus, British School at Rome, Italy, 2005
The Photophonic Experiment, UK tour with Pram and Blissbody, 2006
The London Dirthole Company, US tour, New York, Memphis, Nashville, Providence, 2007
A Taste of Gramophotism, European Centre for the Arts, Dresden, Germany, 2008

Selected large-scale collaborative events
The Bow Gamelan, Steierischer Herbst Festival, Graz, Austria, 1993
Hydronorts, Kolding Harbour, Denmark, 1996
Hydronorts & Bow Gamelan, Copenhagen Harbour, European Capital of Culture 96, Denmark, 1996
The Bow Gamelan, British School at Rome, Italy, 1997,
Charge, West Park, Wolverhampton, 2000
Lightshift, Forest of Dean Sculpture Trust, 2001
Power Plant, Oxford Botanic Garden, 2005
Blast, Artsfest, City Centre, Birmingham, 2007
Power Plant, Calderstones Park, Liverpool European Capital of Culture 08, 2008
Power Plant, Royal Botanic Garden, Edinburgh International Festival, 2009
Power Plant, Botanic Garden, Durham, 200
Power Plant, Darling Harbour, Sydney Festival, Sydney, Australia, January 2011
Power Plant, Hong Kong International Festival, China, February 2011
Power Plant, Royal Tasmanian Botanical Gardens, Hobart, Tasmania, March 2011

Selected press
Project Dark, Louise Gray, The Wire, April 1997
Blow-up guys and dolls, Fiona Sturges, The Independent, June 1998
The Photophonic Experiment, Maddy Costa, The Guardian, October 2006
Beware the Spark-o-phone, Ivan Hewett, The Telegraph, October 2006
If lightbulbs could sing, Adam Sweeting, The Telegraph, November 2006
Power Plant, Robert Sandell, The Sunday Times, October 2008
Artists create a greenhouse of horrors, Charlotte Higgins, The Guardian, August 2009
Power Plant – A sound and light experience, Joyce Macmillan, The Scotsman, August 2009
Power Plant, Joyce Gardner, The Guardian, August 2009
I have seen the darkness, Harry Eyres, Financial Times, November 2009

Selected TV / radio
Sounds of the Suburbs, performance and interview with John Peel, Channel 4, 1999
Kopspijkers interview and live performance, VARA Dutch TV, 2000
The Photophonic Experiment, PM, Radio 4, 2006
The London Dirthole Company, Live session WFMU, New Jersey, USA, 2007
Power Plant, The Culture Show, BBC2, 2009
Power Plant, Sky Arts documentary, 2009

Kirsten Reynolds is an English artist whose diverse practice encompasses, drawing, painting, sculpture, collage and print-making as well as the creation of works using sound, light, electronics and found objects.  Reynolds also plays in a number of bands having been introduced to drumming, percussion and scrap metal instrument building when she joined pyrotechnic metal percussion ensemble The Bow Gamelan in 1990.  During the early 1990s Kirsten toured extensively with The Bow Gamelan and shows were presented in a huge number of extraordinary situations from a disused power station in Belgrade, to an abandoned zinc factory in Katowice, Poland.  A spectacular pyrotechnic percussion event took place on the roof and chimney of the (then disused) Bankside Power Station that was to soon to be renovated and become the Tate Modern.  The Bow Gamelan was the centre of a large-scale percussion and pyrotechnic water-borne extravaganza in Copenhagen Harbour working with Harald Viuff (Illutron DK) on the occasion of the Tall Ships Race celebrating Copenhagen’s status as Cultural Capital of Europe in 1996.

After playing drums and bass in legendary noise band Headbutt, Reynolds went on to form Project Dark with fellow musician and artist Ashley Davies.  Project Dark makes limited edition 7-inch singles from everyday materials such as human hair, circular saws, glass and biscuit.  These extraordinary discs have been shown in many international exhibitions and form the basis of a witty, irreverent live DJ show that has been presented everywhere from the inside the anchorage of the Brooklyn Bridge, New York to the Queen Elizabeth Hall, London as part of John Peel’s Meltdown ’98.

In 2000 Project Dark were commissioned by curator David Toop to show at the Hayward Gallery alongside Christian Marclay and Brian Eno in Sonic Boom, the first international sound art exhibition in the UK.  The piece involved 3 gramophones, sculptural discs, a high-voltage sparking stylus, a miniature video camera and live giant spark projection.  Project Dark went on to perform in the Hamburger Bahnhof, Berlin as part of the live programme accompanying the influential Sensations exhibition.  Project Dark showed a selection of their catalogue of unusual discs in the group show Groove: Artists and Vinyl at the Huddersfield Art Gallery in 2002.

In 2003 Reynolds co-founded the art and music label Phono Erotic releasing limited edition records and related artworks.  Reynolds plays in a number of musical groups including, the electronic rhythm collision duo K&A, mambo pop outfit, Pommagne and The London Dirthole Company, a garage punk 10-piece with 4 stand-up drummers. The London Dirthole Company have released four 7-inch singles and two vinyl albums and play regularly in London and in 2008 toured in the US collaborating with American musicians for shows in Nashville, Memphis and New York and a WFMU radio session in New Jersey.

Since the year 2000 Reynolds has collaborated on various large-scale outdoor sound art events working with percussion, steam, pyrotechnics and many custom-made devices generating spectacular sonic and visual installations and live works.  These events are all site-specific and respond to a wide range of locations from forests to car parks.  Blast was a large-scale outdoor event created in collaboration with artists Mark Anderson, Richard Wilson (and others) celebrated Birmingham’s industrial past using steam, fire, propane, pyrotechnics, percussion and a fog horn to animate the 300 metre-long disused site of the original Curzon Street Railway Station in the city centre over two nights in 2007.

In 2006 Reynolds began a curatorial collaboration with Line Rosenvinge creating the This is Not a Pen project.  Subtitled ‘The Gallery for Your Pocket’, the project commissions artists to design a work within the format of the float pen; a tiny space with a single moving part.  This is an ongoing series and to date pens have been produced by Matt Collishaw, Peter Callesen, Katherine Ærtebjerg and Danish artist group Paint Over.

In October 2008 Reynolds presented a new live sound-art performance in collaboration with Neil Fraser of cult band Tindersticks. ‘ A Taste of Gramophotism’ was premiered at the European Centre for the Arts, Dresden, Germany and was a live show employing music and video that developed ideas concerning the relationship between image generation and sound production when using physical objects and natural materials as original sources.

Reynolds developed new installation works for Power Plant; an outdoor sound and light art event that was originally commissioned in 2005 for the Oxford Botanic Garden by Oxford Contemporary Music.  It was then presented by Contemporary Music Network for the Arts Council as part of Liverpool’s European Capital of Culture 2008 and was seen by over 7000 people over 5 nights in Calderstones Park. Power Plant also features work by artists Mark Anderson, Anne Bean, Jony Easterby and Ulf Mark Pedersen and went on to be shown in the Royal Botanic Gardens, Edinburgh as part of the British Council showcase at the Edinburgh International Festival in 2009.

In November 2008 Reynolds was invited to contribute work to the group show Curious and Curiouser curated by Alan Rankle at the Galerie Rebecca Kormind in Copenhagen, Denmark.  Rankle & Reynolds presented collaborative works in a joint exhibition On the Edge of Wrong at the Fondazione Stelline in Milan, Italy in February 2009.  Further work in the On the Edge of Wrong series has been shown at Federico Rui Arte Contemporeana, Milan, Italy and Mya Lurgo, Lugano, Switzerland.  In June 2011 Reynolds presented new works a solo show at Gallery B15, Copenhagen, Denmark showing new photographic light drawings.  This new work capturing fleeting moments of intuitive drawing in space created much interest and was the subject of a major article in the Danish national newspaper Politiken by art critic Trine Ross.

In January 2011 Reynolds showed new sound and light installations at the hugely successful Power Plant event at the Sydney Festival in Australia.  This show was developed and went on to be shown in February 2011 at the Hong Kong Arts Festival, and March 2011 at Ten Days on the Island Festival in Tasmania.

Reynolds is currently creating new Project Dark work for a live show in Athens in March 2012 and is collaborating with pyrotechnic artist Bastiaan Maris on new interactive work to be shown in Berlin in April 2012.